Supernova emerges from moments when life is quietly overheating.

On paper everything appears fine – work done, deadlines met, parenting on schedule – but the body is signalling shutdown. Sleep thins out, days blur, and existence feels more like burning through life than living it.

The series moves between bedroom and city streets. Inside, blurred self-portraits and empty, creased sheets mark where exhaustion finally becomes visible. Outside, people walk through smoke, lie under a punishing sun, hide their faces behind blankets and caps; even a child playing in water seems under attack. Harsh light often erases faces instead of describing them.

Burnout appears not as a private weakness but as a shared climate – a mix of economic pressure, the demand to stay in control, and a city that never cools down.